1.0Spacing Vancouverhttps://spacing.ca/vancouverSean Ruthenhttps://spacing.ca/vancouver/author/seanruthen/rich600338<blockquote class="wp-embedded-content" data-secret="CEkQUF3EPE"><a href="https://spacing.ca/vancouver/2009/01/14/a-song-for-jorn/">A Song for Jorn</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://spacing.ca/vancouver/2009/01/14/a-song-for-jorn/embed/#?secret=CEkQUF3EPE" width="600" height="338" title="“A Song for Jorn” — Spacing Vancouver" data-secret="CEkQUF3EPE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> By Sean Ruthen “Now cracks a noble heart. Good night, sweet Prince…” Perhaps it is presumptuous to say, but there is an inherent stubbornness in the enterprise of architecture. One need only think of Gary Cooper as Howard Roark in the big screen adaptation of Ayn Rand’s The Fountainhead, standing atop his hard fought modernContinue readinghttp://regardingplace.com/wp-content/uploads/2009/01/sydney1_sruthen.jpg