{"id":35030,"date":"2021-05-25T10:00:44","date_gmt":"2021-05-25T17:00:44","guid":{"rendered":"http:\/\/spacing.ca\/vancouver\/?p=35030"},"modified":"2021-05-19T16:15:23","modified_gmt":"2021-05-19T23:15:23","slug":"book-review-icebergs-zombies-and-the-ultra-thin-architecture-and-capitalism-in-the-twenty-first-century","status":"publish","type":"post","link":"https:\/\/spacing.ca\/vancouver\/2021\/05\/25\/book-review-icebergs-zombies-and-the-ultra-thin-architecture-and-capitalism-in-the-twenty-first-century\/","title":{"rendered":"Book Review \u2013 Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"http:\/\/spacingmedia.com\/spacingvancouver\/wp-content\/uploads\/features\/book-reviews_feature-VAN.gif\" width=\"600\" height=\"72\"><\/p>\n<p><strong>Author: Matthew Soules (<a href=\"https:\/\/papress.com\/products\/icebergs-zombies-and-the-ultra-thin\">Princeton Architectural Press<\/a>, 2021)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">The installation of Rodney Graham\u2019s Spinning Chandelier, the $3.5 million replica of a French chandelier that sits under Vancouver\u2019s Granville Bridge, has always struck me as a bizarrely literal embodiment of the geographer Neil Smith\u2019s concept of the revanchist city<\/span><i>: <\/i>a city where policy and the market work in collaboration to further exclude already marginalized groups<span style=\"font-weight: 400;\">. In a city where thousands struggle to afford housing that meets their needs, the Westbank-funded public art project feels like a giant (spinning) crystal middle finger. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">My minor obsession with Graham\u2019s sculpture meant that I was particularly exhilarated by the entire chapter that Matthew Soules dedicates to Vancouver House, the \u2018starchitect\u2019 tower associated with the Spinning Chandelier, in his new book <\/span><em><span style=\"font-weight: 400;\">Icebergs, Zombies, and the Ultra Thin: <\/span><\/em><span style=\"font-weight: 400;\"><em>Architecture and Capitalism in the Twenty-First Century<\/em>. Soules does not dwell on Graham\u2019s artwork for long, but his perceptive analysis of the role of this \u201caesthetic trope of luxury\u201d is a particularly shining moment in this excellent and accessible book that addresses the relationship between architecture and finance capitalism.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To be clear, this book is not a list of the world\u2019s most expensive luxury condo towers and their price tags. These structures do feature prominently in Soules\u2019 analysis, but are handled with careful critique rather than with any sort of lurid fascination with the lives of those rich enough to buy them. To achieve this, Soules deftly weaves together social, political, economic, and cultural theory with a variety of concrete physical examples to explore the role that architecture serves in sustaining finance capitalism. The result is a compelling and well-articulated indictment of architecture\u2019s role not just in relation to finance capitalism but its role <\/span><i><span style=\"font-weight: 400;\">as <\/span><\/i><span style=\"font-weight: 400;\">finance capitalism.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of the most rewarding aspects of <\/span><i><span style=\"font-weight: 400;\">Icebergs, Zombies, and the Ultra Thin<\/span><\/i><span style=\"font-weight: 400;\"> is its logical and well thought through structuring. As a non-architect, I found the preface to be a helpful grounding in the existing architecture literature that takes a political economy approach. Soules uses this summary to identify that while many have skillfully investigated architecture\u2019s relationship to capitalism, a substantial gap exists when it comes to grappling with our present era\u2019s highly financialized form of capitalism. Soules then offers his definition of finance capitalism and goes on to identify \u201chousing as a primary medium through which finance capitalism actualizes itself\u201d. Having set this context, the following chapters are used to explore the financialization of housing through the distinct lens of architecture.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Over these chapters, the rather cryptic title begins to unfold. We encounter the \u201czombie\u201d urbanism of desirable neighbourhoods with high rates of speculative ownership and correspondingly low rates of full-time occupancy. \u201cZombie\u201d urbanism\u2019s counterpart is \u201cghost\u201d urbanism, exemplified through Ireland\u2019s eerily abandoned housing estates, a symbol of the country\u2019s untenable property boom and subsequent financial crash. Soules also takes us into the uber-rich of London\u2019s \u201ciceberg\u201d basements, where wealthy owners circumvent zoning that prohibits them from building upwards by burrowing underground. \u201cUltra thin\u201d refers to the under-occupied-high-end pencil towers, including Manhattan\u2019s famous 432 Park Avenue pictured on the front cover, that Soules suggests have come to represents a sort of spiritual monument to finance capitalism. Through each of these examples and many others, Soules demonstrates the implicit and explicit ways that finance capitalism dictates physical architectural forms. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Throughout, the writing is purposeful and lucid, and a striking selection of images helps to visually communicate some of the more abstract concepts. Soules is also able to effectively draw from a diverse range of research and architectural examples without overcomplicating or obscuring his central arguments.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The challenge for any author who so well defines a problem is, of course, to point to potential answers. After several excellent chapters that so carefully and vividly paint the real-world impacts of architecture as a medium of finance capitalism, Soules <\/span><span style=\"font-weight: 400;\">vision of what should come next feels a little less convincing. In his conclusion, Soules addresses the racism that is so obviously present in the forces under scrutiny, but it feels like the discussion of this should have been weaved throughout the preceding chapters rather than only explicitly referenced at the very end. <\/span><span style=\"font-weight: 400;\">One distinct provocation is offered in conclusion, a suggestion that architects should collaborate with financiers in a similar manner to how they work with structural engineers. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As a non-architect, however, what I appreciate most about Soules&#8217; concluding remarks was his acknowledgment that not only is it false to claim that architecture has any meaningful autonomy from finance capitalism, that it is downright dangerous to do so. Instead, architecture must find its place in the future by recognizing its present reality.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Icebergs, Zombies and the Ultra Thin<\/em> is ultimately a very worthwhile read for anyone who is interested in better understanding the physical ways in which capitalism shapes our cities in the 21st century.&nbsp;<\/span><\/p>\n<p>***<\/p>\n<p><em>For more information on&nbsp;<strong>Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century<\/strong>, visit the&nbsp;<a href=\"https:\/\/papress.com\/products\/icebergs-zombies-and-the-ultra-thin\">Princeton Architectural Press website.<\/a><\/em><\/p>\n<p>**<\/p>\n<p><em><strong><a href=\"https:\/\/twitter.com\/clairea_dams\">Claire Adams<\/a>&nbsp;<\/strong>is a settler living in Vancouver, on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh peoples. She is currently pursuing her Master of Urban Studies at Simon Fraser University.&nbsp;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Matthew Soules (Princeton Architectural Press, 2021) The installation of Rodney Graham\u2019s Spinning Chandelier, the $3.5 million replica of a French chandelier that sits under Vancouver\u2019s Granville Bridge, has always struck me as a bizarrely literal embodiment of the geographer Neil Smith\u2019s concept of the revanchist city: a city where policy and the market work<a href=\"https:\/\/spacing.ca\/vancouver\/2021\/05\/25\/book-review-icebergs-zombies-and-the-ultra-thin-architecture-and-capitalism-in-the-twenty-first-century\/\">Continue reading <span class=\"sr-only\">&#8220;Book Review \u2013 Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century&#8221;<\/span><\/a><\/p>\n","protected":false},"author":8447,"featured_media":35041,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"_ef_editorial_meta_paragraph_assignment":"","_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_checkbox_needs-photo":"","_ef_editorial_meta_number_word-count":"","footnotes":""},"categories":[10,6670],"tags":[],"class_list":["post-35030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-politics"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - 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