It seems that Banksy, the world’s most popular stencil graffiti artist, has been identified. Part of the allure of Banksy has been the combination of his vast output and total anonymity. As Time.com puts it:
…Banksy has vaulted from obscurity to international renown, all the while escaping detection. Among his catalog of greatest hits, Banksy has released an inflatable Guantanamo Bay prisoner doll at Disneyland, depicted England’s Queen Elizabeth II as a chimpanzee, tagged the West Bank border fence and sneaked his own Mona Lisa — her inscrutable expression replaced by a yellow smiley face — into the Louvre. “He’s kind of captured the zeitgeist,” says Gareth Williams, a contemporary-art specialist at Bonhams auction house in London. “But he’s done it in quite an accessible way, so it speaks to people.” Even for a vandal, going mainstream has its perks: Banksy’s handiwork has commanded millions of dollars at auction from acolytes like Brad Pitt and Angelina Jolie.
But anonymity has been as crucial a part of Banksy’s mythology as irony and wit. “Anything that’s ever been written about him centers around the anonymity — that he’s this Batman, this cult figure,” says Pedro Alonzo, who curated an exhibition in England to which Banksy contributed. But that doesn’t necessarily mean being unmasked would hurt Banksy’s popularity. The intrigue over his identity has been a “double-edged sword,” Alonzo says, since it has occluded the messages bundled in his art. “His work is a call to action. It’s about hierarchies of power, social injustice and paying attention to issues that aren’t being addressed,” he adds. “There could be a bright side to this — the attention being diverted from his identity [could allow] people to really look at his work and consider it.” Says Williams: “I don’t think the Banksy story ends here.”
